Chapter III. The House of the Dead
“There had stood a great house in the centre of the
gardens, where now was left only that fragment of ruin. This house had been
empty for a great while; years before his—the ancient man’s—birth. It was a
place shunned by the people of the village, as it had been shunned by their
fathers before them. There were many things said about it, and all were of
evil. No one ever went near it, either by day or night. In the village it was a
synonym of all that is unholy and dreadful.”
~ William Hope Hodgson, The House on the Borderland
The mansion stood proudly at the
end of the new driveway, on the other side of the iron gates that the woman had
come to know so well. A house once much loved, it had been abandoned and
cursed, as a corpse buried in unholy ground 2. The wistful abode, derelict and
desolate, is at present a decaying beauty of an era long past. A true work of
art of the finest 19th century craftsmen, no expenses were spared in its
re-construction. This, however, would ultimately result in its downfall. All
efforts were to be in vain for darkness and fear still continue to reign, side
by side, within its walls. And its soul now lies hidden, behind boarded up
windows, which prevent light and life from entering it. If any occupants still
linger, they’re anything but human.
This Hall of Dreams has changed
names and hands many times throughout its existence although it has never been
truly owned; at least, not by mortal beings. In addition to the Redmonds of
Norman origins and later, the fortunate Loftus family, it has housed two
Catholic orders. The Benedictines (1917-1935), who renamed the Hall as the
Convent of St. Mary’s and educated Novitiate nuns and the Sisters of Providence
of the Rosminian Order (1937). The latter turned the abandoned Hall into a
convent and school for young girls and set up a chapel for locals to attend
weekly mass. However, like all mortal residents, their stay at the Hall would
be a short one embedded with bitter memories of death.
Once again, the Hall would be
abandoned until it was bought in 1983 by Michael Devereaux; it would re-open
its doors as the Loftus Hall Hotel. However, Michael’s life was taken in this
house. His wife, Kay or Kitty, continued to reside in the Hall until it told
her to leave. And so she did, in great haste, leaving even clothes and personal
belongings. Never to be seen again. It seemed the Hall may have spared her
life. And empty, yet again, we continued to be held hostage.
Seemingly vacant upon first
glance though evil and death were and always have been the only permanent
residents. As eternities of darkness, they passionately devoured any life that
came to exist within its walls.
Loftus Hall was also home to two
notable families that shaped and contributed to the history of County Wexford.
The historic home now harbours countless ghosts and trapped spirits, as well as
a much older tenant. The woman had felt this darker, older energy the day I
first saw her, when she felt me as we both stood by the present gates. She was
not entirely sure of what it was, but she could not forget the feeling of dread
and oppression that conquered her; the absolute darkness. She was convinced
that it was an ancient force; previous to the existence of the current Hall, or
for that matter, any of the buildings ever built on this star-crossed land. The
woman was well aware that Loftus Hall, occupied a “most unusual site for a
country mansion as the bleak and exposed landmark which dominates the landscape
on the Hook peninsula”.
The current building is one of
three family residences that were built within the area that came to be known
as the Loftus Hall Demesne. The term “Demesne” evolved from “demayn” or
“demeyn” in the 14th century, when it was borrowed from Anglo-French property
law. At that time, the Anglo-French form was “demeine”. A “Demesne” can be
described as the land surrounding a house or manor, retained by the owner for
his or her own personal use; it contained buildings, gardens, farmland and
woods. The deer park was the most distinctive feature of early demesnes,
stocked mostly with fallow deer introduced in Ireland by the Anglo-Normans. It
was also the site of the Holy Well of Dubhán’ (also known as Duffin’s well). It
was accessed by our beloved cliff walk, windswept and overlooking the rocks and
eroding waves that pounded Hall Bay. The well was about “one-half mile north
from Hook Church and quite close to the cliffs at the corner of the Deerpark
adjoining the Rathfield no. 13 on the Demesne Land Map9.” And of course, North
from Loftus Hall, and on a straight track, was the circular burial mound or
ring barrow I had feared as a child and which can still be seen today.
***
The residence of the noble
Redmond family had only ended in the hands of Henry Loftus, through plunder and
disloyalty and even more bloodshed. This unfortunate place that I had known so
well had been a grand 17th century home. Its outbuildings, including the coach
house and our walled garden, have outlived us all. The house was gable-ended
with two storeys and nine bays. It was covered by a dormer roof and a steep
pedimented gable. The two stone eagles that watched us then, were to be perched
on new lookout posts of this place of torment. The residence had a forecourt
with tall stone piers surmounted by ball finials which still remain and can be
seen today. It also had a haunted tapestry room. Haunted indeed by our love;
unable to die, it still resided within its cold and now lifeless walls.
Anne’s home then, was already
centuries old and though beautiful as it was, I cannot say I had ever felt at
ease in the Great Hall. Shadows, creaks and groans as well as whispers and
growls have forever lived within its walls. Evil was part of its foundations
and even then, the rambling mansion harboured many souls and secrets. This is
something inevitable in a place as old as Loftus Hall. Old homes are
enigmatical. It is a given that historic properties always come with countless
invisible guests and much that remains hidden. They become alive through the
people that reside in them. They breathe, love and dream much the same way
mortals do. Awakening, with every heart beat and regretting every tear as they
scream in silence. And if we listen carefully, we may be able to understand the
meaning of such unexplainable noises. In time, walls deteriorate and their
splendour fades. All that remains then is their skeletal structure and soul;
the eternal memories of all those who lived and died within. And that is, in
essence, what ghosts truly are. Shadows of what we once were, yet somehow
refusing or unable to cease in existence. But some things are just not meant to
last forever; it is unnatural. As unnatural and inhuman as what we’ve become.
And along with such things are demons and monsters. This… is how dreams become
nightmares…
All images are copyright of Steve Meyler and published with permission.
Website: https://www.helenabscott.com/
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College of Psychic Studies:
For more information about Helena and Loftus Hall, click on the hyperlink below:
https://mbsmag.blogspot.com/2024/07/helena-b-scott-loftus-author.html
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